Graphic Reconstructing and Application Research of Traditional Auspicious Pattern in the Customization for Haute Couture

Abstract:

Costume pattern carries massive traditional culture and national spirit. It has important significance on people’s life and records the historical process of a nation. The topic of the paper starts from Chinese traditional auspicious pattern, summarizes the combination, layout and implied meaning of pattern through the analysis on the special shape and formal beauty; analyzes and research the cultural spirit and plastic art of traditional auspicious pattern. It makes analysis on the graphic language of traditional pattern and formal language under modern design thinking, finds new graphic language in reconstruction and innovation, this new form may have no direct relation with traditional pattern, but it could invisibly convey traditional spirit, which could better reflect the aesthetic taste of modern design to make Chinese traditional essence possess times spirit and reach the internal spirit unity between people and costume.

• Periodical: Advanced Materials Research (Volume 1048)
• Pages: 341-344
• DOI: https://doi.org/10.4028/www.scientific.net/AMR.1048.341
• Online since: October 2014
• Authors: Xiao Mei Chen, Qing Dong, Xiao Yang Liu
• Keywords: Graphic Reconstructing, Haute Couture, Traditional Auspicious

References

[1] Yuan Zhenhong, Chinese Traditional Art: Lace Pattern [M]. China Light Industry Press, (2000).

[2] Yuan Ze, History of Chinese Costume [M]. China Textile & Apparel Press, (2005).

[3] ZongFengying, Palace Dress in Qing Dynasty [M] Forbidden City Press, (2004).

[4] Liu Teng, Charm of Auspicious Pattern []. Education Science & Culture Magazine, 2008 (10).

[5] Shi Wenya, Application Research of Embroidery in Chinese Customization on Haute Couture [J] (2012).

[6] Wu Haijuan, Application and Reflection of Chinese Elements in Haute Couture [D] Beijing Institute of Fashion Technology, (2012).

[7] Ye Licheng, Dress Aesthetics [M] Beijing: China Textile & Apparel Press, (2001).

[8] Kenyahara, Design in Design [M] Guilin: Guangxi Normal University Press, (2010).

[9] KuangQian, Necessity of Developing the Customization on Haute Couture in our Country [D] Inner Mongolia Normal University, (2012).

[10] Xu Yi, Design Research on the Formal Dress with Advanced Customization Combining Chinese and Western Elements [D] Jilin University, (2013).

[11] Cao Jingping, Exploration and Analysis on the Customization of Haute Couture in China [D] Nanjing University of the Arts, (2013).

[12] Carolyn Merchant. Radical Ecology: The Search for a Livable World[M]. New York: Rout ledge, (1992).

[13] [Germany] Heidegger, Poetry, Language and Thought, trans, AHofstadter, New York : Harper and Row, (1971).