Three-Dimensional Configuration in the Graphic Design

Article Preview

Abstract:

The modern world is a stereo world dominated by the three-dimensional space. For a designer, the traditional plane design technique which is the design and arrangement relying solely on the graphics, texts, colors and other elements in the two-dimensional space has been unable to meet the needs of the people. A modern designers relying only on the means of expression of the two-dimensional space design has been unable to meet the current needs of practical design, and also cannot perfectly convey his unique design concepts. In this paper, by referring to a large number of related literatures, combined with the actual situation in the field of design, through comparison and investigation of a variety of methods, based on the specific concepts of the 3D shape, and combined with the thinking the actual situation of its emergence and development, the author summarizes the theoretical foundation of this new design concept. Mainly for the packaging design, book design, advertising design, the author ironically shows the practical application of 3D shape, and clearly shows the unique advantages compared with the traditional 2D design. Of course, compared with the traditional, the newly developing also has some inevitable defects.

You might also be interested in these eBooks

Info:

Periodical:

Pages:

1110-1113

Citation:

Online since:

January 2014

Authors:

Export:

Price:

Permissions CCC:

Permissions PLS:

Сopyright:

© 2014 Trans Tech Publications Ltd. All Rights Reserved

Share:

Citation:

[1] [France] Bernard. Modern graphical game design , Beijing mechanical industry press, 2011, 8 (12): 23-25.

Google Scholar

[2] Huang Yingjie, Zhou Rui. Visual form creatology , Tongji University press, 2010, 1 (2): 34-36.

Google Scholar

[3] Su Shu. Uneven plain , People's fine arts publishing house, 2010, 11 (13): 34-39.

Google Scholar

[4] [English] Tricia Austen, Richard Durst, interpreted by Lei Qian, Xu Hao. Introduction to the new media design , Shanghai People's Fine Arts Publishing House, 2012, 1 (2): 78-79.

Google Scholar