Study of Environment Pottery Based on Mechanics Analysis

Abstract:

The aesthetic is a need, the humanistic psychologist Maslow made his famous "Theory of Demand. In his view, physiological, safety, respect, aesthetic, self-actualization level from junior to senior development needs. Form of beauty, art and design epitomizes the spirit of this advanced form of aesthetic needs. Pottery as a traditional media people becoming more concerned about environmental consciousness and spiritual level, but also both involved in the environmental space in the case of modern consciousness, showing it is a form of the emerging field of environmental art, pottery design consistent with human on the environmental aesthetic needs of the development of results, its aesthetic value cannot be ignored. An art form as a visual language, environment pottery body language has a unique aesthetic value and characteristics, and continue to join in today's visual culture under the influence of cultural concerns, its aesthetic characteristics in terms of interpretation of the visual language also has the image era semantic features. An area designed as a public environmental art, Environmental Ceramic aesthetic environment and the environment of people closely related to the artistic life, the concept of the art of living also make work pay more attention to the reality of the workplace awareness and survival, the manifestation of the spiritual needs Therefore aesthetic inject a greater angle. The visual aesthetic activity comes from the sensory response, but limited to the spiritual feeling, which mobilized human emotion, imagination, understanding mental function. These aesthetic mental activities are affected by different environment, different populations, different era with different cultural backgrounds and Cultural Complex of the impact and role.

• Periodical: Applied Mechanics and Materials (Volumes 484-485)
• Pages: 467-470
• DOI: https://doi.org/10.4028/www.scientific.net/AMM.484-485.467
• Online since: January 2014
• Authors: Xiao Lan Jiang, Ying Gao
• Keywords: Aesthetic Value, Ceramic Technology, Environmental Art

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