A Modeling Language and Color Application Analysis of the Miao Nationality’s Embroidery Pattern of Southeast of Guizhou Province

Abstract:

Through the analysis of modeling language and color application of the Miao nationality’s embroidery pattern of southeast of Guizhou Province, this paper aims to reveal its characteristics of collective pattern, heritage, chaotic thought of group creativity of folk art and primitive art; Besides, it reflects the simple world view and beauty-appreciation standpoint which is inherited by people of Miao nationality for generations. The characteristic and spirit of the Miao nationality’s embroidery pattern of southeast of Guizhou Province are frankness and straightforwardness. The abundant and highly unified modeling language of the Miao nationality’s embroidery pattern of southeast of Guizhou Province relates closely to modern painting and aesthetics theory modern times in form and content.

• Periodical: Advanced Materials Research (Volume 1048)
• Pages: 285-289
• DOI: https://doi.org/10.4028/www.scientific.net/AMR.1048.285
• Online since: October 2014
• Authors: Yan Zhang*, Yun Ying Liu
• Keywords: Color Application, Miao Nationality’s Embroidery Pattern of Southeast of Guizhou Province, Modeling Language, Pattern

References

[1] G.Z. He: Henry. Moore (Hebei Education Press, China 2005).

[2] D. Brett: New Thinking of Decoration—Pleasure and Ideology in Visual Arts (Jiangsu Arts Press, China 2006).

[3] R. Arnheim: Art and Visual Perception (Sichuan People Press, China 1998).

[4] R. Arnheim: Art and Visual Perception (Sichuan People Press, China 1998).

[5] G.Q. Zhu: On Aesthetics (Guangxi Normal University Press, China 2004).