Advanced Materials Research Vol. 1048

Abstract: Shandong folk art, full of artistic connotation, has a long history, which is an important source of fashion design. This article makes an analysis of the specific application and embodiment about the Shandong folk art elements in modern fashion design fabrics, styles, colors from the Shandong traditional paper-cut art, ceramics, painting, textile technology and fashion design style, and so on. At last, it puts forward the viewpoint of drawing lessons from the traditional folk art the creation of humanity, design pattern and heritage enrichment in the modern fashion design.

Abstract: In this study, eight different elastic knitted fabrics were chosen to make eight tight trousers of the same style and same size, and ten female students at Shanghai University of Engineering Science were chosen to try on these trousers. In the subjective experiment, 5 levels quantitative evaluation methods were adopted which the sensory characteristics was divided into 5 grades. On three kind of continuous state, each wearer was asked to evaluate on the stretch pants separately. By analyzing the subjective data, we can make a conclusion that the clothing pressure comfort and the sense of restraint are related not only to clothing pressure, but also to some other physiological and psychological feeling of wearer.

Abstract: In this study, eight different elastic fabrics were chosen to test their properties, ten testers tried on eight elastic pants made by the fabrics, and objective press test on three postures was carried on. Through analyzing the pressure values in five body points on three postures, the pressure distribution of the five parts of the body, and the relationship between the pressure and fabric properties were obtained.

Abstract: Eight sample clothing were designed and made in order to study on bias structure line design. The characteristics of the bias structure lines in clothing pattern making were analyzed and compared with conventional lines. The bias structure lines affected clothing girth and length, and the diagonal angle had direct proportional relationship with dart size. The waist line direction is changed to slant in bias structure line. A bias structure lines design method was summarized, and the detailed steps and methods were described.

Abstract: This paper presents a research of women clothing style, pattern design, and fabric by developing origami culture and double faced jacquard weaving. Four kinds of clothing styles are researched by folding fabric according some origami concept. Based on the developed folded garment structures, some positioned patterns are studied for modern advanced fashion design purposes. In the technology aspect, jacquard technology is used in this study. Jacquard technology uses double stitching structure which face and back patterns are not the same. The face fabric is colorful with pure silk while the back fabric is composite of twill and eight weft satin pattern with silk and cashmere yarn. The final example presents a combination creation of garment and fabric. The method and design of this type of creation requires a high integration of aesthetic and technical aspects, therefore a high added value would be achieved.

Abstract: Protection and comfort are significant aspects for body armour. This study surveyed 102 prison officers in Saudi Arabia about their opinion on the current body armour they may use in terms of protection and comfort. This is to understand the need for protection with body armour and improve protective fabric designs with enhanced comfort performance for future soft body armour. From the information gathered via a questionnaire survey, the risk assessment inside the prison and the percentage of prison officers being attacked were determined. The results revealed that 12% of male and 29% of female prison offices were attacked and protective measures against this violence level cannot be ignored.

Abstract: Jacquard wall cloth based on national flavor should associate with the interior designer. Jacquard wall cloth developes floral pattern as a starting point and combines traditional Chinese elements with modern fashion elements. Choosing a modern Chinese-style room as the main carrier and combining patterns, color and construction to create a jacquard wall cloth.The patten focus on traditional culture and modern geometric perfection,which should associate with each other.The color is taken from Chinese traditional color series,which is suitable for the amenity room environment.Meanwhile the weft and warp yarns are low elastic polyester yarn, which has a sense of lightless,strong and durable.The fabric is constructed with satin weave .This designs achieve an optimal combination of traditional and fashionable benefits.

Abstract: Through the analysis of modeling language and color application of the Miao nationality’s embroidery pattern of southeast of Guizhou Province, this paper aims to reveal its characteristics of collective pattern, heritage, chaotic thought of group creativity of folk art and primitive art; Besides, it reflects the simple world view and beauty-appreciation standpoint which is inherited by people of Miao nationality for generations. The characteristic and spirit of the Miao nationality’s embroidery pattern of southeast of Guizhou Province are frankness and straightforwardness. The abundant and highly unified modeling language of the Miao nationality’s embroidery pattern of southeast of Guizhou Province relates closely to modern painting and aesthetics theory modern times in form and content.

Abstract: Uyghur carpet is the traditional Uyghur handicraft, it is the fusion of spinning, dyeing, knitting and painting with both practical and artistic value. Its origination dates back to more than 2000 years ago and it has been evolving gradually ever since along with the economic development. In recent years, carpet samples with thousands of years history have been discovered in the ruins of ancient tomb in Niya, Shanpula, Yuli, Zhagunluke, Talimu and Peacock River. Scholarships are amazed at the carpets’ unique patterns, delicate quality and fine colors. These carpets are weaved with patterns of human figure, animal and god bird. These patterns are surrounded by designs of beautiful flower and scenery. Some patterns contain auspicious words. The weaving technique, pattern designs and color scheme not only reflect how ancient Uyghur people think about the world, their appreciation of beauty and value of life, but also demonstrate their nature to pursue, and create aesthetic value and their enjoyment of beauty.

Abstract: In order to achieve the sided different effects and the function of UV shading of the three layers jacquard curtain fabric, we used two sets of the same common yarns as the warps, 2 groups of wefts in the front while 2 groups of wefts in the opposite and a group of TiO₂ polyester weft which plays the role of UV-shading. The fabric’s wefts arrangement ratio is 1:1:1:1:1. There are four kinds of weaves in the front and five in the opposite (seeing from the reverse side), then in overlaying the four kinds in the front with the five kinds in the opposite we can get 20 kinds of weaves. By integrating shading cloth and curtains with two-sides-different effects together, in the end, the three layers jacquard curtain fabric which has two-sides-different effects and UV-shading function is achieved.